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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vestih</journal-id><journal-title-group><journal-title xml:lang="ru">Известия Национальной академии наук Беларуси. Серия гуманитарных наук</journal-title><trans-title-group xml:lang="en"><trans-title>Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2524-2369</issn><issn pub-type="epub">2524-2377</issn><publisher><publisher-name>The Republican Unitary Enterprise Publishing House "Belaruskaya Navuka"</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.29235/2524-2369-2026-71-2-116-132</article-id><article-id custom-type="elpub" pub-id-type="custom">vestih-1131</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСКУССТВОВЕДЕНИЕ, ЭТНОГРАФИЯ, ФОЛЬКЛОР</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>ARTS, ETHNOGRAPHY AND FOLKLORE</subject></subj-group></article-categories><title-group><article-title>Алтарная пластика Беларуси XVII в.: иконография и атрибуция (Будслав и Порплище)</article-title><trans-title-group xml:lang="en"><trans-title>Altar plastic monuments of Belarus of the 17th century: iconography and attribution (Bud- s lav and Porplische)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Жихарко</surname><given-names>Ж. М.</given-names></name><name name-style="western" xml:lang="en"><surname>Zhykharka</surname><given-names>Zh. M.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Жихарко Жанна Михайловна – кандидат искусствоведения, старший научный сотрудник</p><p>ул. Сурганова, 1, корп. 2, Минск</p></bio><bio xml:lang="en"><p>Zhanna M. Zhykharka – Ph. D. (Art History), Senior Researcher</p><p>1 Surganov Str., Bldg 2, Minsk 220072</p></bio><email xlink:type="simple">zhyharka@yandex.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Центр исследований белорусской культуры, языка и литературы  Национальной академии наук Беларуси</institution></aff><aff xml:lang="en"><institution>Center for the Belarusian Culture, Language and Literature researches of the National Academy of Sciences of Belarus</institution></aff></aff-alternatives><pub-date pub-type="collection"><year>2026</year></pub-date><pub-date pub-type="epub"><day>30</day><month>04</month><year>2026</year></pub-date><volume>71</volume><issue>2</issue><fpage>116</fpage><lpage>132</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Жихарко Ж.М., 2026</copyright-statement><copyright-year>2026</copyright-year><copyright-holder xml:lang="ru">Жихарко Ж.М.</copyright-holder><copyright-holder xml:lang="en">Zhykharka Z.M.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vestihum.belnauka.by/jour/article/view/1131">https://vestihum.belnauka.by/jour/article/view/1131</self-uri><abstract><p>Статья посвящена исследованию памятников алтарной резьбы XVII в., а именно будславскому алтарю и группе киотов-алтарей Спасо-Преображенского храма в д. Порплище. На основе архивных источников, монастырских хроник, визитационных описаний и сравнительно-искусствоведческого анализа рассматриваются вопросы авторства, датировки и происхождения киотов-алтарей св. Анны, св. Троицы и Богоматери Одигитрии, находящихся в Порплище. Особое внимание уделено выявлению стилистических и морфологических параллелей между декоративными элементами порплищанских памятников и будславского алтаря, созданного в 1649 г.</p><p>В результате исследования установлено, что группа алтарей-киотов и связанных с ними резных элементов была создана в середине XVII в. и, вероятнее всего, принадлежит мастеру Петру Грамелю – автору будславского алтаря. Архивные документы подтверждают гипотезу о переносе части алтарей из Будслава в Порплище в 1787 г. после завершения строительства нового костёла. Реконструируется история формирования интерьера Порплищанского храма и уточняется хронология его сакрального убранства.</p><p>Полученные выводы дают представление о путях распространения художественных форм раннего барокко и маньеризма на территории Великого Княжества Литовского, а также о взаимодействии католической и униатской художественных традиций.</p></abstract><trans-abstract xml:lang="en"><p>This article examines seventeenth-century altar woodcarving, focusing on the Budslav high altar and a group of altar-kiots from the Church of the Transfiguration in the village of Porplishche. Drawing on archival sources, monastic chronicles, visitation records, and comparative art-historical analysis, it addresses questions of authorship, dating, and provenance of the altar-kiots dedicated to St Anne, the Holy Trinity, and the Virgin Hodegetria preserved in Porplishche.</p><p>Special attention is given to identifying stylistic and morphological parallels between the decorative carving of the Porplishche monuments and the Budslav altar, completed in 1649. The study demonstrates that the group of altar-kiots and their associated carved elements was produced in the mid-seventeenth century and can most plausibly be attributed to the master Peter Gramel, the creator of the Budslav altar. Archival evidence supports the hypothesis that parts of these altars were transferred from Budslav to Porplishche in 1787, following the construction of a new church.</p><p>The article also reconstructs the formation of the Porplishche church interior and clarifies the chronology of its sacred furnishings. The findings refine current understanding of the dissemination of early Baroque and Mannerist artistic forms in the Grand Duchy of Lithuania, as well as the interplay between Catholic and Uniate artistic traditions.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>алтарная пластика</kwd><kwd>сакральное искусство XVII в.</kwd><kwd>будславский алтарь</kwd><kwd>Порплище</kwd><kwd>Пётр Грамель</kwd><kwd>маньеризм</kwd><kwd>раннее барокко</kwd><kwd>атрибуция памятников</kwd><kwd>резной декор</kwd><kwd>униатское и католическое искусство</kwd></kwd-group><kwd-group xml:lang="en"><kwd>altar sculpture</kwd><kwd>seventeenth-century sacred art</kwd><kwd>Budslav altar</kwd><kwd>Porplishche</kwd><kwd>Peter Gramel</kwd><kwd>early Baroque</kwd><kwd>Mannerism</kwd><kwd>artistic attribution</kwd><kwd>carved decoration</kwd><kwd>Uniate and Catholic art</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Ярошевич, А. 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