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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vestih</journal-id><journal-title-group><journal-title xml:lang="ru">Известия Национальной академии наук Беларуси. Серия гуманитарных наук</journal-title><trans-title-group xml:lang="en"><trans-title>Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2524-2369</issn><issn pub-type="epub">2524-2377</issn><publisher><publisher-name>The Republican Unitary Enterprise Publishing House "Belaruskaya Navuka"</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.29235/2524-2369-2019-64-4-475-481</article-id><article-id custom-type="elpub" pub-id-type="custom">vestih-669</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСКУССТВОВЕДЕНИЕ, ЭТНОГРАФИЯ, ФОЛЬКЛОР</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>ARTS, ETHNOGRAPHY AND FOLKLORE</subject></subj-group></article-categories><title-group><article-title>Из истории театрального движения в Украине в 50-х гг. XX века</article-title><trans-title-group xml:lang="en"><trans-title>From the theatrical movement in the history of Ukraine in the 50s of the 20th century</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Демьяненко</surname><given-names>С. Н.</given-names></name><name name-style="western" xml:lang="en"><surname>Demyanenko</surname><given-names>S. N.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Демьяненко Сергей Николаевич - аспирант.</p><p>Ул. Ярослав Вал, 40, 01054, Киев</p></bio><bio xml:lang="en"><p>Sergey N. Demyanenko - Postgraduate Student.</p><p>40 Yaroslav Val Str., 01054 Kiev</p></bio><email xlink:type="simple">sergij_alfa@ukr.net</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Киевский национальный университет театра, кино и телевидения им. Ивана Карпенко-Карого</institution></aff><aff xml:lang="en"><institution>Kiev National University of Theater, Film and Television named after Ivan Karpenko-Kary</institution></aff></aff-alternatives><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>08</day><month>11</month><year>2019</year></pub-date><volume>64</volume><issue>4</issue><fpage>475</fpage><lpage>481</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Демьяненко С.Н., 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Демьяненко С.Н.</copyright-holder><copyright-holder xml:lang="en">Demyanenko S.N.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vestihum.belnauka.by/jour/article/view/669">https://vestihum.belnauka.by/jour/article/view/669</self-uri><abstract><p>Показано значение фестивальной деятельности на территории Украины. Автор, обращаясь к архивным данным, аргументированно доказывает, что фестивализация выводит театральное искусство Украины на другой уровень, на уровень сотрудничества и самореализации не только актеров, но и режиссеров с драматургами. Благодаря этому фестивалю зрители имели возможность наблюдать представления различного уровня. Фестиваль сыграл важную роль в театральной жизни УССР и в развитии украинского театра в целом. Проанализирована репертуарная политика, а также рассматриваются организационные аспекты фестивального направления.</p></abstract><trans-abstract xml:lang="en"><p>The article deals with the importance of festival activity in Ukraine. By referring to archived data, the author convincingly proves that the festival brings theater to the next level of Ukraine on cooperation and the level of self-realization, not only the actors but also directors with dramaturges. Through this festival the audience had the opportunity to watch the presentation of different levels. The festival has played an important role in the theatrical life of the USSR in the development of Ukrainian theater in general. Repertoire policy is analysed, as well as organizational aspects of the festival direction are considered.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>фестиваль</kwd><kwd>театр</kwd><kwd>спектакль</kwd><kwd>актер</kwd><kwd>режиссер</kwd></kwd-group><kwd-group xml:lang="en"><kwd>festival</kwd><kwd>theater</kwd><kwd>performance</kwd><kwd>actor</kwd><kwd>director</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Vanyuga, L. Knight Galician scene / L. Vanyuga, - Lviv : Publ. center of LNU them, Franko, 2015, - P. 47-57,</mixed-citation><mixed-citation xml:lang="en">Vanyuga L. 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