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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vestih</journal-id><journal-title-group><journal-title xml:lang="ru">Известия Национальной академии наук Беларуси. Серия гуманитарных наук</journal-title><trans-title-group xml:lang="en"><trans-title>Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2524-2369</issn><issn pub-type="epub">2524-2377</issn><publisher><publisher-name>The Republican Unitary Enterprise Publishing House "Belaruskaya Navuka"</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.29235/2524-2369-2022-67-4-401-411</article-id><article-id custom-type="elpub" pub-id-type="custom">vestih-939</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ЛИТЕРАТУРОВЕДЕНИЕ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>LITERATURE STUDIES</subject></subj-group></article-categories><title-group><article-title>“На камні, жалезе і золаце…” : паэзія Максіма Танка як ідэйна-мастацкі феномен</article-title><trans-title-group xml:lang="en"><trans-title>“On Stone, Iron and Gold...”: Maxim Tank’s poetry as a conceptual and artistic phenomenon</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Мікуліч</surname><given-names>М. У.</given-names></name><name name-style="western" xml:lang="en"><surname>Mikulich</surname><given-names>N. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Микулич Николай Владимирович – кандидат филологических наук, доцент, заведующий отделом взаимосвязей литератур</p><p>ул. Сурганова, 1, корп. 2, 220072, Минск</p></bio><bio xml:lang="en"><p>Nikolay V. Mikulich – Ph. D. (Philol.), Associate Professor, Head of the Literature Relations Department</p><p>1 Surganov Str., Bldg 2, Minsk 220072</p></bio><email xlink:type="simple">mikmik43@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Цэнтр даследаванняў беларускай культуры, мовы і літаратуры Нацыянальнай акадэміі навук Беларусі</institution></aff><aff xml:lang="en"><institution>Center for the Belarusian Culture, Language and Literature researches of the National Academy of Sciences of Belarus</institution></aff></aff-alternatives><pub-date pub-type="collection"><year>2022</year></pub-date><pub-date pub-type="epub"><day>02</day><month>11</month><year>2022</year></pub-date><volume>67</volume><issue>4</issue><fpage>401</fpage><lpage>411</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Мікуліч М.У., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Мікуліч М.У.</copyright-holder><copyright-holder xml:lang="en">Mikulich N.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vestihum.belnauka.by/jour/article/view/939">https://vestihum.belnauka.by/jour/article/view/939</self-uri><abstract><p>Анализируется творческий путь Максима Танка, раскрываются идейно-художественная специфика и системно-модульные основы его поэзии. Автор акцентирует внимание на том, что ранние произведения М. Танка обращены к принципам исконного народного мировосприятия, так называемого партиципационного мышления, фольклорно-демонологическому опыту личности, крестьянской педагогике с ее тонким и нелегким земледельческим календарем, подчеркивают философско-аналитический характер, гуманистическое содержание и общественно-патриотический пафос его творчества зрелого периода.</p><p>Выявляются доминантные характеристики национально-генетического кода творчества М. Танка, осмысливается проблема поэтизации великого притяжения первородных земных основ человеческого бытия, неослабных связей с Родиной, ее духовными и материальными традициями и ценностями. Отмечаются социально-моральная содержательность и духовно-философская целостность лирического героя поэта, который отображал чувство национального и человеческого достоинства и характеризовался внутренним благородством и красотой души.</p></abstract><trans-abstract xml:lang="en"><p>The creative path of Maxim Tank as well as the ideological and artistic specificity and system-modular foundations of his poetry are analyzed in the article. The author notes the appeal of the early M. Tank to the principles of the original folk worldview, the so-called participatory thinking, the folklore-demonological experience of the individual, peasant pedagogy with its subtle and hard agricultural calendar, emphasizes the philosophical and analytical nature, humanistic content and socio-patriotic pathos of his mature work period.</p><p>The article reveals the dominant characteristics of the national genetic code of M. Tank’s creativity, comprehends the problem of poetization of the great attraction of the primordial earthly foundations of human existence, unflagging ties with the Motherland, its spiritual and material traditions and values. The author emphasizes the socio-moral content and spiritual and philosophical integrity of the poet’s lyrical hero, who deeply revealed a sense of national and human dignity and was characterized by inner nobility and spiritual and human beauty.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>народное мироощущение</kwd><kwd>творческая индивидуальность</kwd><kwd>традиции</kwd><kwd>проблемно-тематическое содержание</kwd><kwd>лирико-повествовательный</kwd><kwd>образ</kwd><kwd>реалистическое отражение</kwd><kwd>романтический</kwd><kwd>лирический герой</kwd><kwd>предметно-изобразительный</kwd><kwd>взаимодействие</kwd><kwd>стилевое течение</kwd></kwd-group><kwd-group xml:lang="en"><kwd>folk attitude</kwd><kwd>creative individuality</kwd><kwd>traditions</kwd><kwd>problem and thematic content</kwd><kwd>lyrical and narrative</kwd><kwd>image</kwd><kwd>realistic reflection</kwd><kwd>romantic</kwd><kwd>lyrical hero</kwd><kwd>subject and pictorial</kwd><kwd>interaction</kwd><kwd>stylistic trend</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Арочка, М. 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