European painting school interpretation in works of Chinese artist Pan Yuylyan
Abstract
Article provides analysis and assessment of the European trends of realism and impressionism impacted to the art of the modern Chinese painter Pan Yuylyan. Author of the article defined notions of the interpretation in painting and the unique character of interpretation combined with traditional national images, methods of composition and realization of the image used by the artist. In addition, the author revealed some approaches that contribute to the development and conservation of national and regional features of the modern Chinese painting and updating them in a global context.
Keywords
стиль живописи,
реализм,
импрессионизм,
масляная живопись,
современная китайская живопись,
современное китайское искусство,
интерпретация,
жудожественный метод,
style of painting,
realism,
impressionism,
oil painting,
modern Chinese painting,
modern Chinese art,
interpretation,
artistic technique
About the Author
E. V. Artyomova
Center for Belarusian Culture, Language and Literature Research of National Academy of Sciences
Belarus
Belarus
References
1. Хань, Юйфэн. Исследование живописи женского движения Китая / Юйфэн Хань // Изв. Рос. гос. пед. ун-та им. А. И. Герцена. - 2008. - № 82/1. - С. 367-375.
2. Artnet Auctions (gallery) [Electronic resource] / Artnet Worldwide Corporation. - New York, 2014. - Mode of access: http://www.artnet.com/artists/pan-yuliang/past-auction-results. - Date of access: 20.03.2015.
3. Barnhart, R. Survivals, revivals, and the classical tradition of Chinese figure painting. Proceedings of the International Symposium on Chinese Painting / R. Barnhart. - Taipei: National Palace Museum, 1972. - 205 p.
4. Bryan, K. The Personal Creative process [group show by 14 female artists in Hong Kong] / K. Bryan // Asian Art News. - 2008. - Vol. 18(5), № 12. - P. 80-81.
5. Enwezor, О. Looking Ahead: Dialogues Asian Contemporary Art / О. Enwezor // Yishu: Journal of Contemporary Chinese Art (Asia Society and Museum, New York). - 2003. - Vol. 2, №. 2. - P. 112-121.
6. Hu Ying, Tales of Translation: Composing the New Woman in China, 1899-1918 / Ying Hu. - Stanford: Stanford University Press, 2000. - P. 112-225.
7. Gao Minglu. Toward a Transnational Modernity - an Overview of the Exhibition / Minglu Gao // Inside-out: New Chinese Art (University of California Press). - 1998. - Vol. 11, № 2. - P. 15-4.
8. Gao Minglu. Extensionality and Intentionality in a Transnational Cultural System / Minglu Gao // Art Journal. - 1998. -Vol. 46, № 5. - P. 36-39.
9. Pan Yu Liang: The Exhibition of Pan Yu Liang [Exhibition Catalogue] / National Museum of History and National Taiwan Museum of Fine Arts. - Taiwan, 2006. - 569 p.
10. Park, E. H. Negotiating the Discourse of the Modern in Art: Pan Yuliang (1895-1977) and the Transnational Modern: a dis.. for the degree of Doctor of Philosophy (History of Art) /E. H. Park. - The University of Michigan, 2013. - 213 p.
11. Teo, P. Maternal Ambivalence in Pan Yuliang’s Paintings / P. Teo // Yishu Journal of Contemporary Chinese Art. -2010. - Vol. 9, № 3. - P. 87-99.
12. Wu Hung, Tsiang, K. R. Body and Face in Chinese Visual Culture / Hung Wu, K. R. Tsiang. - Cambridge, Mass., London, Harvard University Press, 2005. - 340 p.
13. Артемова, Е. В. Взаимодействие в искусстве между европейским и китайским культурным пространством второй половины XX - начала XXI века / Е. В. Артемова // Сб. науч. тр.; Респ. ин-т китаеведения им. Конфуция БГУ -Минск, 2013. - Вып. III в 2 ч. Ч. 1: Пути Поднебесной. - С. 306-311.
14. Артемова, Е. В. Роль интерпретации в решении актуальных проблем национального и мирового изобразительного искуства / Е. В. Артемова // Государство и творческая личность: материалы ІІІ респ. науч.-практ. конф., Минск, 8 ноября 2012 г.; Белорус. гос. Акад. искусств; редкол.: Винокурова С. П. [и др.]. - Минск, 2013. - С. 130-139.
Review
Views: 604
Email this article 