Curatorial strategies in contemporary fine arts (on the example of the project «High Hopes Museum»)
https://doi.org/10.29235/2524-2369-2019-64-3-346-353
Abstract
The article deals with the contemporary art exhibition “High Hopes Museum” realised in the Volga-Vyatka branch of National Center for Contemporary Art (NCCA) in 2015. As a result of thoughtful curatorial strategies tasks of mainstreaming, interpretation, personalization and transcoding of local history through contemporary art and contemporary art practices were solved; algorithms of cooperation built museums and collections of various kinds were formed; a model of an alternative museum was created.
About the Author
E. Ya. Kenigsberg
Belarusian State Academy of Arts
Belarus
Belarus
Еkaterina Ya. Kenigsberg - Ph. D. (Art. Crit.), Associate Professor, Head of the International Relations Department.
81 Nezavisimosti Ave., Minsk 220012
References
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