The specifics of rubai in Belarusian poetry end of XX – beginning of XXI century

T. P. Barysyuk

doi:10.29235/2524-2369-2024-69-3-230-240

The specifics of rubai in Belarusian poetry end of XX – beginning of XXI century

T. P. Barysyuk

https://doi.org/10.29235/2524-2369-2024-69-3-230-240

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Abstract

In the ideological and genre key, the current state of the rubaies of Belarusian poets Yauhen Miklasheusky, Uladzimir Lebedzeu, Halina Zahurskaya, Vera Bulanda, Ihar Prakapovich, Ales’ Palynsky, Eduard Dubianetsky, Serge Minskevich, Aleh Hrushetsky, Artem Arashonak, Ganad Charkazian (chargavi), Ryhor Baradulin and Zmitrok Marozau, as well as rubai-like works by Ryhor Baradulin and Zmitrok Marozau (quatrains) have been studied. The works of these authors are dominated by philosophical themes and aphoristic way of speaking. This oriental form organically took root on Belarusian soil and is of great interest to modern Belarusian poets.

Keywords

modern Belarusian poetry, rubai, solid form of verse, rubai-like works, quatrain, idea

References

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ISSN 2524-2369 (Print)
ISSN 2524-2377 (Online)

Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series

The specifics of rubai in Belarusian poetry end of XX – beginning of XXI century

Full Text:

Abstract

Keywords

About the Author

References

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Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series

The specifics of rubai in Belarusian poetry end of XX – beginning of XXI century

Full Text:

Abstract

Keywords

About the Author

References

Review

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