TRICKS OF SCENOGRAPHY AND RE-ENACTMENT OF THE MUSEUM ENVIRONMENT: FROM LOUIS DAGER’S EIDOFUZIKON AND DIORAMAS TO THE MUSEUM OF THE FUTURE

Abstract

In the article, the problem of reassessing techniques of stage design on a narrow permanent period from 18th to 21st centuries has been shown. Complex and variable structure of the modern exposition has its own history. It developed dynamically in the era of industrial revolution and the emergence of design as a new type of economic activity of humanity. Eidofuzikon and dioramas entropy in the theater has resonance in the field of Museum design. The Museum has become complex technical objects for two centuries and entered a new stage of its development. Techniques of decorative art described in article created the preconditions for the formation of a new architectural sculpture in works of outstanding architects of the world, who do not get tired to surprise the world with their unique projects. The Museum of the future is rooted in the past and both eidofuzikon and diorama as a symbiosis of technology and original inventions changed parametric structure of exposition.