Theoretical basis of the «image of the city» in fine arts of Belarus in the XX-XXI centuries

Abstract

In the article the image of the city concept and theoretical basis of the «image of the city» at the turn of the XX-XXI centuries have been considered. With helping the series of works created by Belarusian artists dominant visual motifs have been highlighted. It is shown that principles and methods of the city description caused by the change of understanding and people relationship to their environment, world view, as well as the development of the cities themselves.