ART-MIX AS THE NEW REALITY OF ART IN THE ERA OF POSTMODERN OF THE TWENTIETH AND EARLY TWENTY-FIRST CENTURY

Abstract

Transformation and change the criteria of aesthetic evolution of a number of cultural phenomena have led to the elimination of strict opposition to the mass of high art, art-handicraft. The introduction of the artistic practice of laser and pyrotechnic devices, nanotechnology and electronics has expanded the horizons of creativity and contributed
to the emergence of entirely new kinds of art, based on the idea of synthesis system – multimedia projects, hyper and intertexts, shares. A special place here belongs to the mixed doubles and mix, as well as original artistic compositions called “projects”. In relation to art is introduced to clarify the concept of art-mixed (art-mixed-composition, art-mixed-project), which is used in connection with arms crossed in a single unit as a diverse genres and art forms, elements of which operate on the basis of parity, and art with appliances. Postmodern art-miksed-composition appears as a testing ground for the free creation, which mixed different styles (classic and modern), tradition (academic and subcultural), artistic practices (western and eastern) and technology (electronic sounds created by digital technology and natural sounds, recoverable on authentic instruments). According to the type of implementation and the dominance of a  particular type of art art-mixed doubles divided into concert (for example, variety show), stage (for example, model catwalk, conventional theater) and manmade (audio-visual) form, accumulating all the stages of the creative act-from the idea to its realization. Within the boundaries of the art-mixed doubles in Belarus operates a musical-choreographic project. It seems that the whole art-mixed has significant artistic potential and it can be considered as one of the scenarios of contemporary artistic culture.