Musical and theatrical symphony

Abstract

The article considers the specifics of the manifestation of symphonism in the musical and theatrical art, the peculiarity of relations – the interaction and interpenetration of the musical and theatrical principles of thinking in the genres of opera and ballet, which allows us to actualize the problem of musical and theatrical symphonism. The main and most important thing for understanding this phenomenon is the identification of the actual musical-symphonic or symphonized construction, in which theatricality or theatrical action is clothed. The selected historical and theoretical perspective allows us to determine the symphonic constructions of the bicentric, polycentric and monocentric types.