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| Issue |
Title |
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| Vol 70, No 4 (2025) |
Religious identity and forms of its manifestation among the Bashkirs of Belarus |
Abstract
PDF (Rus)
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E. N. Kvilinkova |
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| Vol 70, No 4 (2025) |
Characteristics of chinese porcelain from the collection of the National Аrt Мuseum of the Republic of Belarus |
Abstract
PDF (Rus)
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|
Xinmei Lin |
| |
| Vol 70, No 3 (2025) |
The church in Lazduny: to the question of the authority of the project and the time of construction |
Abstract
PDF (Bel)
|
|
Zh. M. Zhykharka |
| |
| Vol 70, No 2 (2025) |
Spectacularism of contemporary architecture within the context of the late 20th – early 21st century visual culture |
Abstract
PDF (Eng)
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|
I. I. Balunenka |
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| Vol 70, No 1 (2025) |
Organ suite “Immanuel Kant” of Vasilisa Gorochnaya as a musical tribute to the great philosopher (To the 300th anniversary of Immanuel Kant) |
Abstract
PDF (Rus)
|
|
I. L. Gorbushina |
| |
| Vol 69, No 4 (2024) |
Evolution of the mental model of “homeland” in belarusian television programs 1956 – mid. 1990s: pragmatic componen |
Abstract
PDF (Bel)
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|
A. I. Marozawa |
| |
| Vol 69, No 3 (2024) |
On continuity in the musical avant-garde |
Abstract
PDF (Rus)
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|
T. G. Mdivani |
| |
| Vol 69, No 2 (2024) |
Moldavian diaspora in Belarus: population dynamics, resettlement and reasons for relocation |
Abstract
PDF (Rus)
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|
E. N. Kvilinkova |
| |
| Vol 69, No 1 (2024) |
“The Old Belarusian People’s Theatre”. A newsreel of a scientific fact |
Abstract
PDF (Rus)
|
|
K. I. Ramisheuski |
| |
| Vol 69, No 1 (2024) |
Evolution of approaches to the connection of the “old” and the “new” in the historical urban environment |
Abstract
PDF (Rus)
|
|
A. O Nichiporovich |
| |
| Vol 68, No 4 (2023) |
Contemporary approaches to determining the value of architectural heritage |
Abstract
PDF (Rus)
|
|
T. G. Goranskaja, A. O. Nichiporovich |
| |
| Vol 68, No 3 (2023) |
. Gagauz in Belarus: forms of identification and degree of adaptation |
Abstract
PDF (Rus)
|
|
E. N. Kvilinkova |
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| Vol 68, No 2 (2023) |
About new stage genres in the music of the second half XX century |
Abstract
PDF (Rus)
|
|
T. G. Mdivani |
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| Vol 68, No 1 (2023) |
Noble manors in Belarus lands in the pre-reform period: servitude exploitation and patriarchal care of the peasants |
Abstract
PDF (Rus)
|
|
S. A. Shydlouski |
| |
| Vol 67, No 4 (2022) |
Features of the musical performance of the heroic epos “Geser” in China: history and modernity |
Abstract
PDF (Rus)
|
|
Xiaohong Guo, Qiong Ye |
| |
| Vol 67, No 3 (2022) |
Musical and theatrical symphony |
Abstract
PDF (Rus)
|
|
V. G. Guday-Kashtalyan |
| |
| Vol 67, No 2 (2022) |
Historical newsreel “Liberation of Soviet Belarus”: from a political order to a folk screen saga |
Abstract
PDF (Rus)
|
|
K. I. Ramisheuski |
| |
| Vol 67, No 2 (2022) |
Archetypes of images of nonlinear architecture: randomness or conscious assimilation |
Abstract
PDF (Rus)
|
|
Yu. Yu. Zakharyna |
| |
| Vol 67, No 1 (2022) |
Theoretical and methodological approaches to ethnic identity |
Abstract
PDF (Bel)
|
|
Yu. I. Vnukovich |
| |
| Vol 67, No 1 (2022) |
Genre transformation of folk drama in the space of ritual culture |
Abstract
PDF (Bel)
|
|
N. A. Hulak |
| |
| Vol 67, No 1 (2022) |
Hospitality customs of the landed nobility of Belarus of late XVIII – early XX centuries |
Abstract
PDF (Bel)
|
|
S. A. Shydlouski |
| |
| Vol 66, No 4 (2021) |
Maksim Bogdanovich is a star of Belarusian poetry (To the 130th anniversary of the poet’s birth) |
Abstract
PDF (Bel)
|
|
V. A. Naumovich |
| |
| Vol 66, No 4 (2021) |
Newsreel footage of the liberation of Minsk and its art history attribution |
Abstract
PDF (Rus)
|
|
K. I. Ramisheuski |
| |
| Vol 66, No 4 (2021) |
The chamber kui is the genre of the kazakh academical music |
Abstract
PDF (Rus)
|
|
G. Т. Akparova |
| |
| Vol 66, No 3 (2021) |
Ceremonial portraits of Prince Peter Lvovich Wittgenstein in the context of his iconography |
Abstract
PDF (Rus)
|
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O. N. Popko |
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| Vol 66, No 2 (2021) |
Graphics of units of the state document of turnover of the Republic of Belarus (1991–2019) |
Abstract
PDF (Rus)
|
|
H. A. Hanžuraŭ |
| |
| Vol 66, No 1 (2021) |
Architectural images of history and culture: contemporary interpretation |
Abstract
PDF (Rus)
|
|
Yu . Y. Zakharyna |
| |
| Vol 66, No 1 (2021) |
Belarusian incantations in the european perspective: the motif of three virgin helpers |
Abstract
PDF (Bel)
|
|
Т. V. Valodzina |
| |
| Vol 65, No 4 (2020) |
Aspects of nonlinearity in music of the second half of the XX century |
Abstract
PDF (Rus)
|
|
T. G. Mdivani |
| |
| Vol 65, No 4 (2020) |
Servage ritual “bread walking”: mythosemantics and cultural context |
Abstract
PDF (Bel)
|
|
N. A. Hulak |
| |
| Vol 65, No 3 (2020) |
Features and specificity of creating a script for a television documentary drama |
Abstract
PDF (Rus)
|
|
N. G. Stezhko |
| |
| Vol 65, No 3 (2020) |
A. F. Kovalev – Belarusian artist, sculptor, designer, teacher |
Abstract
PDF (Rus)
|
|
I. V. Gorbunov |
| |
| Vol 65, No 2 (2020) |
Composer’s interpretation of the Christian ethos in the music art of sovereign Belarus |
Abstract
PDF (Rus)
|
|
T. G. Mdivani |
| |
| Vol 65, No 1 (2020) |
Family traditions of Jews of Belarus |
Abstract
PDF (Rus)
|
|
V. F. Batsiayeu |
| |
| Vol 64, No 4 (2019) |
Scientific activities of soviet institutions in exploring folklore of the Great Patriotic War (1941–1960) |
Abstract
PDF (Bel)
|
|
N. A. Hulak |
| |
| Vol 64, No 4 (2019) |
From the theatrical movement in the history of Ukraine in the 50s of the 20th century |
Abstract
PDF (Rus)
|
|
S. N. Demyanenko |
| |
| Vol 64, No 3 (2019) |
Variance in Belarusian rites spring dance songs “Oj, nie rasci, kropie” |
Abstract
PDF (Rus)
|
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N. G. Mazurina |
| |
| Vol 64, No 3 (2019) |
Curatorial strategies in contemporary fine arts (on the example of the project «High Hopes Museum») |
Abstract
PDF (Rus)
|
|
E. Ya. Kenigsberg |
| |
| Vol 64, No 2 (2019) |
“Pani Yadviga” by V. Soltan: librettological aspect of the opera’s avan-text researching |
Abstract
PDF (Rus)
|
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I. V. Pilatova |
| |
| Vol 64, No 1 (2019) |
The cult of the field marshal prince Piotr Wittgenstein in families of his descendants: portraits of glorious ancestor and family relics |
Abstract
PDF (Rus)
|
|
V. M. Popko |
| |
| Vol 63, No 4 (2018) |
Development strategy and main directions of academic research in the field of Culture, Language and Literature |
Abstract
PDF (Bel)
|
|
A. I. Lokotko |
| |
| Vol 63, No 4 (2018) |
The history of television documentary drama genesis, its ontological characteristics |
Abstract
PDF (Rus)
|
|
N. G. Stezhko |
| |
| Vol 63, No 3 (2018) |
MANIFESTATIONS OF VARIANCE IN THE BELARUSIAN CALENDAR AND RITUAL TRADITION (ON THE EXAMPLE OF THE SPRING SONG “VOL BUSHUE – VIASNU CHUYE”) |
Abstract
PDF (Bel)
|
|
N. G. Mazuryna |
| |
| Vol 63, No 2 (2018) |
ART MARKET AS AN ECONOMIC FACTOR IN THE DEVELOPMENT OF KITSCH |
Abstract
PDF (Bel)
|
|
D. Yu. Buneyeva |
| |
| Vol 63, No 1 (2018) |
MAIN CONCEPTS IN CHINESE PAINTING BETWEEN THE 1990s AND EARLY 2000s |
Abstract
PDF (Rus)
|
|
E. V. Artsiomova |
| |
| No 4 (2017) |
DEVELOPMENT PHASES OF FOLK SONG VARIANCE IN BELARUSIAN FOLKLORISTICS |
Abstract
PDF (Bel)
|
|
N. G. Mazuryna |
| |
| No 4 (2017) |
MUSEUM OR PANOPTICON: A HISTORY OF CREATING WAX FIGURES |
Abstract
PDF (Rus)
|
|
I. V. Gоrbunov |
| |
| No 2 (2017) |
BUTOH DANCE: BASIC PRINCIPLES AND THEIR REFLECTION IN THE CONTEMPORARY BELARUSIAN PHYSICAL THEATER |
Abstract
PDF (Rus)
|
|
D. S. Skachkov |
| |
| No 2 (2017) |
MOTIVES OF BIDDING FAREWELL TO WINTER AND GREETING SPRING IN SHROVETIDE RITES IN BELARUSIAN POLESIE REGION |
Abstract
PDF (Rus)
|
|
Ye. I. Leshkevich |
| |
| No 3 (2017) |
COGNITIVE ASPECTS OF MUSIC IN BELARUSIAN MUSICAL COMPOSITION |
Abstract
PDF (Rus)
|
|
T. G. Mdivani |
| |
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